A Long Time Ago, In a Childhood Far Far Away...
Friday is the 30th anniversary of the opening of the very first Star Wars movie.1 I was seven years old when the movie opened and although I didn't get to see it until a week or two later, it was one of the most formative experiences of my childhood. That movie -- without hyperbole -- helped shaped the man I am today.
In 1977, I didn't like sports, I was made fun of for playing with dolls (action figures not being as cool as they are now, or were about to become), and I mostly stayed indoors reading -- I was a skinny geek without a purpose. But then I saw a wookie for the very first time on television. I begged my mother to take me to see Star Wars based solely on the appearance of Chewbacca in a commercial. She wasn't very interested in the movie herself, but finally relented after days of almost constant needling. She took me to the theater and dropped me off with a friend, four dollars and fifty cents in my pocket (enough for the movie and a Coke and a box of Red Vines), and an instruction to call when I was ready to come home. (Yes, it was a different era. That was back in the day when the movie theater employees wouldn't come in between movies to clean or kick people out.) Mom dropped us off and we stayed for three consecutive showings that afternoon. The sights I witnessed on that screen altered the way I would think about narrative, drama, and play even if I couldn't identify that shift at the time.
But I'm putting the brakes on right here because we're taking a turn. The subsequent story of my geeky childhood having new purpose is one that has been told before by other people ad nauseum.2 Anyway, that new purpose only lasted until 1981, when mom took me to see Excalibur and I soon thereafter discovered Dungeons and Dragons (a different story altogether) and martial arts.
This is about Star Wars and the thing that I have to be the most thankful for as a result of seeing it. Without a doubt, the most lasting effect that Star Wars has had on me is expressed in my love of foreign cinema. Seriously. Star Wars introduced me (albeit indirectly) to the Art House.
George Lucas claims to have been paying homage to Akira Kurosawa in Star Wars, but everyone who has ever seen Kurosawa's movies knows that Lucas was unabashedly and unskillfully plagiarizing Kurosawa. The plot of Star Wars is the plot of The Hidden Fortress (a rogue general and two bumbling peasants seek to rescue the princess from the hidden fortress), with scenes and style from Yojimbo ("I'm a wanted man...") and the Seven Samurai ("wipes" between scenes -- "suffering is our lot in life...") mixed with visual elements of Metropolis (C3PO) and Triumph of the Will (the entire Empire aesthetic) all wrapped up in a 1940s-style Flash Gordon serial potboiler.
I didn't realize any of this, of course, until ten years later. The first time I saw Yojimbo, I realized that the cantina scene in Star Wars was an almost perfect copy of the scene in the street with Toshiro Mifune cutting off the criminal brigand's arm after the criminal brags about what an amazing bad ass he is. That scene locked it in; I had to find more Kurosawa! After I rented The Hidden Fortress and The Seven Samurai it was official: Akira Kurosawa became my favorite director ever. My fanboy manlove for Kurosawa culminated when my undergraduate university showed a tattered and almost unwatchable 16mm print of Throne of Blood as a part of its Wednesday night foreign film series. After that remarkable experience (dimly) seeing my hero, Toshiro Mifune, on a big(gish) screen I became a regular devotee of the Wednesday film series, thereafter seeing classic films by Louis Malle (Frantic) and Jean Renoir (the Lower Depths), as well as contemporary art films like The Cook, the Thief, His Wife & Her Lover and Henry & June. Ever since then, I have been drawn to foreign film and art house cinema. And I have George Lucas to thank (and Turner Classic Movies for showing Yojimbo).
I talk a lot of smack about George Lucas. His new films (and even Return of the Jedi) have largely spoiled the memory of the original Star Wars and made it less than it was when I was seven and eight and even twelve years old. But the curiosity that grew in me upon seeing a Star Wars-like scene wipe in a black and white film on late night television opened an entire world (literally) of art to me. If for nothing else, I must thank George Lucas for stealing from the best (even if he wasn't the best at presenting what he stole). My life is richer for his having done it.
Thank you Star Wars.
I am mindful that I feel: nostalgic
On the iPod: John Williams - Imperial Attack
1 Now redacted to be titled, Star Wars Episode IV: A New Hope.
2 It is the unifying theme of all of Kevin Smith's movies, it seems.